![]() ![]() Choose Selected Staff (all Voices) to place the harmony voices into the same staff as the melody staff. ![]() The Band-in-a-Box Auto Harmonizing gives you the option to place the new harmony voices into one of two places. One Existing Staff Starting with Staff.Place New Voices Into: Selected Staff (all Voices).Most of the Generic Presets harmonize all melody notes, and the harmony high-low note ranges are not restricted. For instance, if a Drop Two harmony note extends below an instrument’s range, this low harmony note might be transposed up to fit in the instrument range. Some Instrument presets limit the low and high note range of harmonies. Remember to place the notes into the appropriate number of staves. The following presets are Guitar/Piano harmonizations: Two Part: Guitar 3rds and 6ths Three Part: Guitar Four Part: Jazz Piano, Guitar Drop 2, Swing Guitar Five Part: Jazz Piano Six Part: Guitar. This emulates performance techniques when it is artistically undesirable (and difficult on the fingers) to harmonize all notes in a melody. Guitar and Piano presets will harmonize long notes without harmonizing short notes. These presets may also be useful on other instruments. Instrument Preset Names, such as Guitar or Super Brass, create harmony stacks typical for the instrument. The remaining two harmony voices double the melody an octave above and an octave below. The first harmony voice is a third interval above the melody.This preset is the second variation of this harmony stack. The third harmony voice is the melody transposed up one octave. The second harmony voice is below the melody. The first harmony voice is a sixth interval above the melody. The second harmony voice is the melody transposed down one octave. The first harmony voice is a mixture of 3rds and 6ths below the melody. For instance, in a dense harmony preset, Variation #1 might play a third interval, while Variation #2 plays a sixth, and Variation #3 plays alt tones. #1, #2, #3- Some harmony stacks have alternate permutations. One Above, Two Above, Two Below, etc.- The number (One, Two) represents how many (non-octave) harmony voices are placed above or below the melodyģrds Above- Typically adds a note a third above the melodyģrds Below- Typically adds a note a third below the melodyĦths Above, 6ths Below- Typically adds a note a sixth above or below the melodyģrds & 6ths- Harmony typically uses a mixture of thirds and sixthsĪlt- Provides an alternative harmonization including sevenths and ninthsĨva & 8vb- Double the melody both an octave above and below. Select a preset style of harmony.ĭrop Two- Transposes the first harmony note below the melody down an octaveĭrop Three- Transposes the second harmony note below the melody down an octave After choosing the desired number of voices, select a type of harmonization from the list below the menu. You’ll also notice that changing this selection affects the available harmonizations. Use this popup menu to determine how many voices (including the input melody) your harmonized music will include. Exceptions, such as piano/guitar presets, will be detailed below. The resulting music is generally homophonic, meaning all harmonies will be the same rhythm as the melody. #Band in a box for mac 2014 softwareThe utility’s harmonies are based on those found in the PG Music software Band-in-a-Box. ![]() The Band-in-a-Box Auto Harmonizing utility will add a number of new voices to an existing melody, based on chord symbols (or based on the key signature of the piece if no chord symbols exist in the selected region). Choose Utilities > Apply Band-in-a-Box Auto Harmonizing.With the Selection tool, select a region containing at least one note (for best results, the region should contain at least one chord symbol).You are here: Band-in-a-Box Auto-Harmonizing ![]()
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